Lace
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  • hint: I don't know how to use semicolons.
    I'll IRC after dinner which is now
    I just had a dream that I was painting cards on the inside of a rotating drum at your house, while someone you claimed was Dooey watched.
    While I suppose that was one possible meaning to get out of my sentence, it is not the correct one.
    Of course I don't believe the stupid cheating on the test inflates your ego, it's the circlejerking that does that. It's just kind of irritating, more so when it's in a thread that was on topic beforehand. I'm not trying to be incendiary, but please understand my frustration D:
    For starters, I've been here longer than Noxid, your partner in crime.
    Second of all, I have no problem with regular thread derailing, but this useless circlejerking is just annoying and egotistical.
    In the future, please take your insecure ego-bloating antics elsewhere.
    I saw.
    That's really funny, you guys are hilarious for derailing my thread.
    Thanks.
    Thanks for the help!
    Code:
    Address      Command
    [B]0040FF9D   MOV ECX,DWORD PTR DS:[493630]
    0040FFA3   OR ECX,DWORD PTR DS:[493638]
    [/B]0040FFA9   AND ECX,DWORD PTR DS:[49E214]
    0040FFAF   JE SHORT 0040FFDC
    0040FFB1   PUSH 1
    0040FFB3   PUSH 1
    0040FFB5   CALL 00420640
    0040FFBA   ADD ESP,8
    0040FFBD   CMP DWORD PTR DS:[49E1E4],0
    0040FFC4   JE SHORT 0040FFD2
    0040FFC6   MOV DWORD PTR DS:[49E1E4],0
    0040FFD0   JMP SHORT 0040FFDC
    0040FFD2   MOV DWORD PTR DS:[49E1E4],1
    This is the title screen stuff, the bold are the values you change to change the keys pressed to move the cursor. In case you wanted to know.
    Yayz!

    So you know from IRC we're modulating from B to G. This particular modulation is a fairly standard type of modulation known as a common chord modulation. In such a modulation, there is one chord (or more, but this is unusual to the point that a typical music theory class/textbook will say that it's always just one) called the "pivot chord" which has a function in both the old key and the new key.

    There's something kinda tricky about this particular modulation, so, rather than just diving right in and trying to figure out where the pivot chord(s) is, I first want you to take the chords from bars 24-37 and, for each one identify its function in the key of B AND the key of G. Note that sometimes a chord does not have a function in some key (that is, it is not one of the 25 chords in that key's palette of functional harmonies we). Make sure you identify these chords somehow (i.e. by saying "no func" or something to that effect).
    That just means you need to post more!
    It should be easy now that you can post from school.
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