Key Signatures' Emotions

Feb 4, 2013 at 8:47 AM
Senior Member
"This is the greatest handgun ever made! You have to ask yourself, do I feel lucky?"
Join Date: Jun 12, 2011
Location: 0x00000000 0xC00E0FF0 0xFFFFEFD4 0xC0000000
Posts: 108
Feb 4, 2013 at 8:53 AM
Lvl 1
Forum Moderator
"Life begins and ends with Nu."
Join Date: May 28, 2008
Location: PMMM MMO
Posts: 3713
Age: 32
I don't think any particular key sounds sad or happy by itself, but rather, specific chord structures/patterns are what give emotion to a song. The key the chords are in doesn't matter too much, even if you were to transpose it you should still get the same emotional impact. And I think that while chord structures give the base for an emotion a song carries, it's the melody that will truly bring it out in the end.
 
Feb 4, 2013 at 9:23 AM
Senior Member
"This is the greatest handgun ever made! You have to ask yourself, do I feel lucky?"
Join Date: Jun 12, 2011
Location: 0x00000000 0xC00E0FF0 0xFFFFEFD4 0xC0000000
Posts: 108
There is a chance that sometimes musical structures like chord patterns and melodies are interpreted differently depending on the listener. As for me, I still believe that in order to express using to music, a suitable key signature can either make or break the emotions one wants to convey in the music. For example, using higher keys imply having more expressive emotions, while the lower ones sound dull and isolated.
 
Feb 4, 2013 at 12:23 PM
Not anymore
"Run, rabbit run. Dig that hole, forget the sun."
Join Date: Jan 28, 2010
Location: Internet
Posts: 1369
Age: 34
I think we are all stuck with the 12 semitones and "root 12 of something" issue that all Western ears tend to listen to...

This is a very nonsensical way to partition different musical notes. Twelve? Really?
 
Feb 5, 2013 at 10:39 AM
Senior Member
"This is the greatest handgun ever made! You have to ask yourself, do I feel lucky?"
Join Date: Jun 12, 2011
Location: 0x00000000 0xC00E0FF0 0xFFFFEFD4 0xC0000000
Posts: 108
I think we are all stuck with the 12 semitones and "root 12 of something" issue that all Western ears tend to listen to...

This is a very nonsensical way to partition different musical notes. Twelve? Really?
Try looking at microtonal music. Most noticeable is Indian and Arabic music. Sure, Western music prefers limiting tones to twelve, but from about 20 Hz to above Nyquist just think how many frequencies Man is able to hear.
 
Feb 5, 2013 at 5:14 PM
Lvl 1
Forum Moderator
"Life begins and ends with Nu."
Join Date: May 28, 2008
Location: PMMM MMO
Posts: 3713
Age: 32
Sort of off topic, but one thing I find interesting is when songs are just offkey, like when the whole song is shifted by half a semitone. It makes the song harder to reproduce, but it gives the song a unique sound sometimes.

The only one I know off of the top of my head that does it is this one:
 
Feb 6, 2013 at 4:02 AM
Senior Member
"This is the greatest handgun ever made! You have to ask yourself, do I feel lucky?"
Join Date: Jun 12, 2011
Location: 0x00000000 0xC00E0FF0 0xFFFFEFD4 0xC0000000
Posts: 108
Yeah, that happens. Also when a song's key is lowered by a quarter tone, it looks kinda old. It is mostly noticeable in piano music. Shift them down by a quarter tone, and optionally applying some effects, makes the song seem like it was recorded in the (far) past.

On the other hand, raising the pitch by a quarter tone makes the song sound "faster".
 
Top