Oct 30, 2012 at 3:34 AM
graters gonna grate
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Join Date: Jul 2, 2008
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Posts: 1886
Age: 32
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Yeah, I just went back and listened to all the tracks that aren't mine, and the following issues stand out:
GIR's remixes tend to clip a bit any time he has piano chords (which all of his remixes have at some point). It's not even so much that the chords are particularly loud, I think it may just be that he's using a piano sample with a very sharp attack (though at some points, I think he uses piano samples with softer attacks, like in the beginning of Pillow of Fire).
System Core by DaPhinoXX has a very loud organ sound playing the melody. In addition to being aesthetically unappealing due to its obscuring the subtle beauty of tones in the accompaniment, it causes clipping whenever multiple notes in that instrument sound simultaneously.
In the Distance by JetHawk has a very abrupt ending. I'm kinda surprised we didn't catch this earlier, and it would be super easy to fix it real quick in Audacity.
And as I said, all of my remixes except River of Sand either have clipping or are too quiet, due to my earlier ignorance of compression/limiting.
I actually thought both of those were pretty good. I dunno if your ear is just that much more sensitive than mine, or if it's more a case of you being your own worst critic. Though if I had to pick one of the two that needed more work, I would say Electric Distortion needs more work (you seem to agree?).
Some of the current remixes seem like they could be made to work in a looping format if tweaked a bit, assuming their creators still have the project files.
GIR's remixes tend to clip a bit any time he has piano chords (which all of his remixes have at some point). It's not even so much that the chords are particularly loud, I think it may just be that he's using a piano sample with a very sharp attack (though at some points, I think he uses piano samples with softer attacks, like in the beginning of Pillow of Fire).
System Core by DaPhinoXX has a very loud organ sound playing the melody. In addition to being aesthetically unappealing due to its obscuring the subtle beauty of tones in the accompaniment, it causes clipping whenever multiple notes in that instrument sound simultaneously.
In the Distance by JetHawk has a very abrupt ending. I'm kinda surprised we didn't catch this earlier, and it would be super easy to fix it real quick in Audacity.
And as I said, all of my remixes except River of Sand either have clipping or are too quiet, due to my earlier ignorance of compression/limiting.
I for one am not super happy with my Access remix, and I didn't really do Jethawk95's collab (the one I named "Electric Distortion") justice, as I wasn't able to pull off my ideas properly and so I ended up butchering the entire thing pretty badly. I say this because the guitar lacks precision and clarity and the drums don't have much punch either; it's all pretty bad, especially the EQ issues that litter the entire track.
Only problem is that I can't find the project files, so I don't think I can update, and even if I did find them or make a revision of them one way or another, I have no way of updating the links on the website.
I actually thought both of those were pretty good. I dunno if your ear is just that much more sensitive than mine, or if it's more a case of you being your own worst critic. Though if I had to pick one of the two that needed more work, I would say Electric Distortion needs more work (you seem to agree?).
I'm actually not very interested in doing remixes for the sake of remixing only. But I am working on a little something that might require some new remixes, as all the current remixes do not really work for it (they need to loop and maybe have nice reverb effects in order to fit properly with my project).
Some of the current remixes seem like they could be made to work in a looping format if tweaked a bit, assuming their creators still have the project files.