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...huh. okay. so there is some sort of precedent. not that it makes a lot more sense... but yeah, impressive that you got the style and everything so accurately down

I appreciate all the hard work and technical skill that went into this but like actually what is this. like what actually is this. what is going on here. why

Nice cover! I think you made use of the orgmaker software and instruments quite well. It's kind of funny, after looking at a bunch of music making software I had always thought orgmaker was by far the easiest to use, but I see people disagree :mahin:

I'm guessing bkMoon would be a popular choice, and it's pretty, but I actually really like bkBlue. it's simple, not overbearing, gets the job done and is easy on the eyes. I've always kind of wondered how these backgrounds work, and this is hard to put into words, but like, most of these...

i mean, the way i see it, it's just a regular cutscene. We see stuff all the time that Quote doesn't see, e.g. Sue and Kazuma chatting with each other after Sue returns to Arthur's house, or what was going down in the Sand Zone Storehouse, or even the intermittent narrations in Sacred Grounds...

I don't really have much to add to your excellent theories, Jade, but I believe the transmissions were strictly between the computer in the Grasstown Shelter and the computer in Arthur's house. They were shown to the 'player', but Quote never receives them.

So we finally ran out of threads to make huh jk this is a neat topic actually. Are you trying to send a hidden message through the italicised words? If so could you please spell it out cuz i am dumdum This is actually a really interesting design point that I'd never noticed or thought about...

Oh my, this has so much soul to it. I love the lines and the details and the composition. Just a vibe. OFF in 2025 epic Nice OC, are they from something bigger you're making?

How did Misery mistake Toroko for Sue when she's the one who turned Sue and Itoh into mimigas? Something doesn't add up. Am I forgetting something?

Aight so apart from the inside jokes I didn't get, the level design was actually pretty solid! I loved the in the Evil HQ, as well as the 'platforming challenge' there with the currents. And the initial segment recreated the exhilarating feeling of just running and shooting through Egg...

One of the most consistently clever and creative things I've ever played. Genuinely ingenious fun packed in every level. I had to use the walkthrough for level 23. Time: 35'58''5

what background lore do i need to study up on to best appreciate this mod?

I like the clean art style. So far the humour is a little stale imho, but I'm sure it'll pick up quickly. At any rate, I'm really glad to see this sort of fan content still being made for Cave Story.

The first room in the Labyrinth was always a fun place to practice your footwork.

Love these, please keep making them.

I think I've shared (part of) this story before, but eh, always nice to reminisce. Sorry for the wall of text. So my dad found a bunch of free games somewhere online and downloaded some for us (me and my sister) to play, back in like 2009-ish? I think? One of them was Cave Story. We got up to...

I'm curious, what programming language is this? I think <6 minutes is already a pretty good run, otherwise Pixel wouldn't change the title screen with that score. Anyways, congratulations on getting <3 minutes!

Do you really need three layers of folders in the zip? I think most people (myself included) would prefer a windowed configuration by default. Also, I can't seem to be able to set it to windowed through DoConfig for some reason? The game crashes immediately with a garbled error message... I...